Exhibition and Program

Black Aliveness and an Aesthetics of Being

Surrounding Programs

Panel 1. Jamaica on my Mind: Aliveness and Livity
Phillip Thomas, Chair
Saturday Dec. 7, 10am -11 am

Exhibitions recounting the history of Jamaican contemporary arts can explore its political, social, and economic dimensions.
They provide a reading of Jamaica’s preoccupations and projections to the various loci of affiliations

Panel 2. Contemporary Art, Contemporaneity and the Black World: Rethinking the Aesthetic Cartography :
A Conversation with Dr. Malick Ndiaye , Boundjoa M. Lompo, National Director for the Arts, Burkina Faso , Melissa H. Davis, Sugarcane
Saturday Dec. 7, 11am -12 am

Rethinking knowledge on African and African Diaspora Arts to better apprehend the logics of artis- tic creation about translation, conditions of knowledge productions and the supports attached to them are crucial in the development of new cultural policies. The panelists in this theme not only explore the art and history in the Black World, but also pave the way for potential transformative impacts.

Panel 3. Collecting African Diaspora Art: Black Collectors and the Art Market
Saturday Dec. 7, 12am -1pm

Essayist Pablo Helguera, comparing the American art scene to a game of chess, likens the figure of the collector to that of the queen, the most powerful piece on the chessboard. As buyers, col- lectors bring most of the money to the art market. Through their participation in museum boards and purchasing committees, and through the creation of foundations, they play an essential role in legitimizing the art being made, especially since they are often the first to support young artists and young galleries. What are the their thoughts and perspectives in the evolution of contempo- rary African Diaspora Art?

Communities gatherings
Performing Arts
Fashion Design
Films Projection

View the Exhibition

Dis Gwoup Nò prezante yon koleksyon mèt nan Atizay vizyèl modèn ak kontanporen soti nan Lafrik, Ayiti, ak dyaspora Afriken an. Evènman sa a gratis nan kè Opa-Locka, sanksyone pa Art Basel, se yon prezantasyon enpòtan nan vwa kritik nan konvèsasyon an nan entèseksyon an nan Atizay, Kominote, ak reprezantasyon kiltirèl.

Fèmen-up nan estati atizay kontanporen Afriken

Pi lwen pase tradisyon

Eskilti kontanporen soti nan Lafrik di

Kreye pa O'Miami ak Dis Gwoup Nò, 10 lanp vil nan lari ansanm ak Opa-Locka Boulevard te transfòme nan aparèy pwojeksyon pwezi. Powèm yo rasanble yo ka jwenn pwojè sou mi yo ak twotwa nan plizyè bilding. Chak powèm adrese sijè limyè, demokrasi, sekirite piblik, transpò, ak enfrastrikti.

Fèmen-up nan estati atizay kontanporen AfrikenFèmen-up nan estati atizay kontanporen Afriken
Fèmen-up nan estati atizay kontanporen AfrikenFèmen-up nan estati atizay kontanporen Afriken

Atizay &a..

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La reine Rwej (2019), an acrylic and collage on linen, is the creation of Congalese artist Vitshois Mwilambwe Bondo. It is one of the many works in the Fragmented Worlds/Coherent Lives exhibition that will be on display at the Art & Recreation Center (ARC) in Opa-Locka.

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Vitshois Mwilambwe Bondo, 'La reine Rwej', 2019, acrylic and collage on linen. Photograph courtesy of the artist and Le Galerie 38, Casablanca, Morocco.

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Vle aprann plis sou Dis Gwoup Nò?